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Thursday, September 16, 2004
An artist's response to 9/11
How many artists might have reacted to 11/9 tragedy? Even search engines may not have a count. But,it must be quite a big number, if one considers all the responses that might have come in print, online, in drawings and paintings and through sculptures and films. I am not including the umpteen number of artistically drafted pieces of print responses which will be in abundance in every print publication in the second week of September,around the world,in various languages. It is some sort of a ritual by columnists. One can exclude the photographs that started getting circulated through the web within minutes of the gruesome tragedy also from the list as they were simply faithful reproductions of what actually happened. I am yet to see the film Fahrenheit 9/11, though it finds place 4 times,in the first 10 results if you ask Google to search 9/11.( It is also worth mentioning that out of the four, at least one is a criticism titled "unfairenheit 9/11".)
But I want to tell my readers about something which leaves strong impact in your minds on 9/11. That is about an exhibition in glass on 9/11 by a young artist Lynn Rivers. I happened to see it just by chance. On this year's 9/11, I was walking aimlessly through the queen's walk on the south bank of Thames. A successful world premiere of the event was going on at the.gallery@oxo, tower wharf, South Bank, London from 9th-12th of this month. It is an architectural glass installation piece about the destruction of the Twin Towers consisting of nine door sized panels spanning 12 metres. The panels comprise over 400 images painstakingly sandblasted into hand-made flash glass together with other types of specialised glass.
It is about the moment of impact - which is the title of the piece. It doesn't follow the chronological timeframe of 9/11, but reflects how the artist watched the TV with the different viewpoints and repeats, while trying to make coherent sense of the catastrophic event. It also refers to the enormity of the moments of impact upon those who directly experienced them. It seems the work was widely acclaimed when one of the panels - panel no. 9 - was previewed during the International Festival of Glass held at the Red House Glass Cone, Stourbridge, UK during August 27th-29th 2004. Viewing all the images in toto, especially after talking to Lynn who was available at the venue to tell you how the work took almost 2 years to reach the present state of near perfection, was simply shocking and dreadful. It seems it is the first major piece of work about 9/11 and to achieve such subtle detail with sandblasting appears incredible. The technique of sandblasting was explained to me in detail by the artist herself and I wish she makes a note of it at her website www.lynn-rivers.co.uk.There is absolutely no comparison between seeing the life size images ( which are of the size of a door panel) and segments of it available at the website which you may see in a 14- 17 inch monitor. In fact each piece of art in a single panel itself demands careful in depth viewing and the images lead you not only to the agony of the day but also to the continuing sequlae of the events of present world including the latest carbomb explosion in Baghdad.
It was the same day, I happened to read the front page lead article of "Independent" telling why we should not have allowed the 19 people to change our world. I felt both were complimentary.The real tragedy is that great majority of us are just destined to see pieces of art and read columns and just be on lookers of what goes on in this world. we have no say in what is going around. The media will bring Olympics to our living rooms to be followed by Beslan tragedy, as though things have been scheduled by somebody sequentially. And at least in western hemisphere,the obsessed weather experts will go on speaking to a weather obsessed spectators. I was told there is a 24 hour channel in Canada,dedicated to weather- may be exaggeration ! Does the hurricane ( Charlie, Daniel, Francis or Evan) spare these channels and their studios, I would like to know. Oh, no the hurricanes have given us one more hot topic for expert non decision makers (scientists) and non expert decision makers (politicians) to come to our sitting rooms and enlighten us - the global warming!
Was it not Plato who said poets will have to be expelled from republics. Artists, I believe, will have a place in a worst ever republic , after seeing Lynn Rivers in action. More about the strange community of artists and a painter's newsle tter in web, next week .
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